Archive for the arts

A transcript

As you might be able to tell from my previous scribblings I’m a big fan of comedy, I’m a comedy junkie a comedic whore who will do anything for a laugh and do anything to be given one.
I came across an English comic who impressed me with this 3 minute skit so I’ll look out for him at Adelaide Fringe 2014

Andy Zaltzman ( who bears a striking resemblance to Harpo Marx – but that might be the subject of another post called (tentatively)”Modern Comedians Who Look like Comedians From 80 Years Ago”

So here is what I can remember from the sketch

“Do we have any economics fans in today?
(one voice – YAY!)
Does anyone here today understand economics?
(silence)
Well Congratulations people that is the correct way to live your lives – in ignorance of economics
I don’t really understand it, but I have tried to understand a bit of what’s happened to the global economy over recent years it’s obviously quite important and I think some questions need to be asked. I particular why did the whole economic system collapse like a prim Victorian lady at the sight of a gentleman’s danglers, why did share prices around the world go down faster than a buttered baby down a well-waxed water slide
(I cannot begin to explain the amount of empirical research that went into that joke, but you know, I thought “I’ve got two kids – I could spare one”
And why did the whole global economic system fall to pieces like a cheap flimsy jigsaw puzzle in a fistfight on an old bus going down a bumpy road during a big earthquake at the Battle Of The Somme?
And if there’s an artificial glut of contrived similes flooding onto the market at the same time during this gig could that cause a catastrophic crash in the comedic value of subsequent similes that takes, potentially, decades to recover from?
The answer to all those questions and what’s happened in the world over recent years is that the whole of global economics is based on bullshit, based on figments and fictions and people essentially gambling on stuff that doesn’t exist.
Capitalism got overexcited in the aftermath of it’s points victory over Communism in the Cold War, which was helped by the fact that Communism spent the entire fight standing in the corner punching itself in the face.
Oh good, you quite liked the Cold War boxing analogy!
Capitalism got overexcited, waltzed into a casino and put the entire global economy on red whilst announcing to everyone ‘Don’t worry I have got a system’ sadly that didn’t work, and things have now gone more tits-up than Dolly Parton swimming backstroke.

– And I think we have answered that question on the diminishing returns on similes

We must start learning lessons from all these mistakes,
In particular from the American mortgage sector that seemed to kick the disaster off that lesson is – that if you lend a lot of money to people who have absolutely no way of paying that money back,conceivably, they might not pay that money back.

That is the kind of thing we can only learn by trial and error. I would say it’s very much like slamming your testicles in a car door. Until you actually do it, you do not know for sure whether or not it will actually hurt. You cannot build the global economy on hypothetically painful testicles, as John Maynard Keynes himself once said.

We’ve also learned the dangers of a lack of regulation of financial markets.

– there simply are not enough jokes that start with that as a set-up line, If I have my way by this time next year, ALL jokes will start with that as a set-up line, ” Hey, there’s a danger of unregulated financial markets – That’s what cats think, Dogs? they think deregulation is the way to go – What’s up with that?? (pauses, taps the Mic) You can’t handle the truth!!”

Now, Adam Smith, the celebrity 18th Century Scottish economist, please pay attention people – I have read nearly all of Adam Smith’s Wikipedia entry – He wrote about the Invisible Hand that’s supposed to guide financial markets making sure nothing goes too far wrong, a self-regulating benevolent force, so you don’t need too much state regulation nudging things in the right direction.

This is all very well in theory but there is a problem, and we all have to be honest with ourselves as we answer – if you had an invisible hand, what would you do with it?

Here we see the problem in the system we’ve been relying on – fundamental human-fucking-nature, We would nick stuff, flick invisible V signs at people we don’t like and we would grope things. That is exactly what the financial markets have been doing. At least regulation is some form of glove so you can see what it’s doing to you.

There’s also been too much debt in the world almost all money is borrowed, when you take 10 pounds from your cash point your bank will have borrowed it from another bank who will have borrowed it from a convincing-looking man in a suit, who will have borrowed it off the IMF, who will have borrowed it off a high-interest emergency-loan advert and so on, ’til when you take your 10 pounds from your cash point you’re essentially getting homeopathic money it has barely a trace of the original cash left but some nutcase insists it works exactly the same
I do hope we’ve now disproved this patent bullshit

Look what’s happened to the European economy I see the European economy very much in these terms It’s like a man who managed to clamp one of his testicles in a George Foreman Grill then rectified that by spending money that he didn’t have on another George Foreman Grill and clamping it round his other testicle to make it look like he meant it in the first place -and for a bit of artistic symmetry, then he is standing up there with a George Foreman Grill on each testicle saying “HELP, HELP!, someone help – Lend me some money so I can buy a George Foreman Grill for my penis”
I hope I’ve explained that situation for you now

Two things I will add to the transcript

1. SIMILE
Noun A figure of speech involving the comparison of one thing with another thing of a different kind, (e.g., as brave as a lion)

2. THE INVISIBLE HAND
comes from the 1776 “An Inquiry into the Nature and Causes of the Wealth of Nations” the title is commonly contracted to “The Wealth of Nations”

Every individual necessarily labours to render the annual revenue of the society as great as he can. He generally neither intends to promote the public interest, nor knows how much he is promoting it … He intends only his own gain, and he is in this, as in many other cases, led by an invisible hand to promote an end which was no part of his intention. Nor is it always the worse for society that it was no part of his intention. By pursuing his own interest he frequently promotes that of the society more effectually than when he really intends to promote it. I have never known much good done by those who affected to trade for the public good.

One of these two images is Andy, the other is Harpo Marx

AndyZaltzman

or

Harpo

A Cure Or The Cure ?

I’ve been listening to a lot of The Cure lately, maybe I’m depressed, maybe I’m hankerin’ for that pale all-black drawn and pained look or maybe because they’re a brilliant fuckin’ band. My little American friend asked me what would be the best album of theirs to get as her first (she’s 32 and 4′ 9”- she’s dainty but she’s fine ! But what could I say ? Jeez … It’s a doozy of a question and I found myself unable to give any sort of clear answer Which album ? ….hmm Well, prolific, diverse interesting and still relevant today, despite first having been around for almost 35 years They’ve done about 5 billion albums with a similar number of different styles and line-ups.

So hell ! – who were members of this band ? Or better – Who wasn’t ?

Let’s have a look at the chronology

1973 – some of the people who eventually formed The Cure get together under the banner of The Obelisk and did the one single gig – this you can look up for yourself on Wikipedia. The members of The Oblelisk Robert Smith (piano), Mick Dempsey (guitar), Laurence Tolhurst (drums), Marc Ceggano (guitar, lead) and Alan Hill (bass) OK that was just the one show and no known recording of it, but remember the names of the members (that Smith kid will keep cropping up)

1976 – Easy Cure formed with Robert Smith (now vocals and guitar, I guess the piano playing didn’t work out for him, small pianists don’t get a lot of action), Michael Dempsey (bass), Laurance Tolhurst (drums) and Porl Thompson (guitar) – not a lot known about this incarnation except it was

1978 – They dropped the “Easy’ from their name, and Porl Thompson dropped out of the band. Now we have a band called “The Cure”

1979 – released ‘Three Imaginary Boys‘ having signed a record deal – this is the album with “Jumping Someone Else’s Train ‘ and the ever-cheerful ‘Boys Don’t Cry’ (which has been covered ad infinitum by ska bands – Area 7 springs to mind and good luck trying to find that on a CD). This is pretty raw stuff, quite punky which is to be expected considering what was happening on the fringes of English music at the time.

1980 – Yikes ! Dempsey leaves but new members Simon Gallup (bass) and Mattieu Hartley (keyboards) jump on for a ride they release the moody single ‘A Forest’ quite different to their first releases, one might say almost musical. Their second album 17 seconds (another cracker) released Play For today, great single as well as, of course, 17 Seconds – stayed tuned about this album (trivia: The Final Sound only went for 50 seconds because they ran out of tape when recording)

1981 – Crikey ! Hartley jumps off this band’s wagon and tThe Cure is now a three-piece pop combo. This might explain the “Charlotte Sometimes” single and the album ‘Primary‘. Maybe they were all a little bit sad – trios must be very claustrophobic.

1982 – Yeegads ! , now Gallup gallops – what is this is The Cure now a duo ?? The band released the single “Hanging Gardens” and it doesn’t sound like the work of just two dudes – the liner notes credit

* Simon Gallup – bass, keyboard

* Robert Smith – guitar, keyboard, vocals

* Lol Tolhurst – drums, keyboard

Pornography was released, in ’82 a fair bit of pornography was probably released this was the name of The Cure’s album for the year though

1983 They released “The Walk” and “Love Cats.”

1984 The Top and The Caterpillar were released. “The Top” was a hippy pop psychedelic album, Smith played all the instruments except for drums The The Cure were joined by Andy Anderson (drums), Phil Thornalley (bass) and Porl Thompson (guitar)

1985 Andy Anderson and Philip Thornally left the band , or were allowed the opportunity to work with other musicians on other projects.

Boris Williams (drums) and Simon Gallup (bass) joined – is Gallup a sucker for punishment or what ? The Head on the Door album was released. Singles included Inbetween Days and Close to Me two of my favourite singles. Inbetween days was covered by Ben Folds

1986 Singles album released – “Standing on a Beach”. The Cure headlined Glastonbury Festival.

1987 The Cure released a double album, Kiss Me Kiss Me Kiss Me. World Tour called “Kissing Tour”. Roger O’Donnell joined (keyboard)

1989 Disintegration was released, from which 4 hit singles were released. — Lol Tolhurst left for the 3rd time (?).

1990 Roger O’Donnell left and was replaced by Perry Bamonte. The Cure headlined Glastonbury, Mixed Up was released, re-mixed singles of Never Enough, Close to Me and A Forest were released.

1992 Recorded “Wish” and toured with Wish Tour, a world wide sell out show. Porl Thompson left.

1993 Live works included Paris and Show. The Cure headlined at the XFM “Great Xpectations” show in Finsbury Park, London.

1994 Boris Williams left.

1995 Jason Cooper joined on drums, Roger O’Donnell rejoined on keyboard. Work started on the Dredd Song, for the film Judge Dredd. Headlined a few European festivals, including the 25th Glastonbury.

1996 Wild Mood Swings was released, went top ten around the world. The Cure embarked on the Swing Tour, their largest to date. 4 singles were released.

1997 Galore, a compilation of sorts- the singles from ’87 to ’97, and a video compilation to Standing on a Beach was released.

1998 More Than This single, for the X files movie

2000 Bloodflowers was released. I don’t like this one all that much, but after collecting so many of their albums, you sort have gotta have it for continuity dontchya ?

2001 The Cure released their Greatest Hits album, which included 2 new songs, Cut Here and Just Say Yes. The Cure departed from Fiction Records, after 23 years. One can only surmise what sort of hell it was for the A&R person who had to deal with the band, imagine every time you had a meeting and seeing either a sea of strangers or the same old faces or a combination of old and new. The only continuity being the sullen dude (who is now getting a bit porky) bedaubed by eyeliner and hair slathered with Gothic Juice (the strongest hairspray known to man)

2002 The Cure head-lined a number of European Festivals, and rehearsed for a special two night performance at the Tempodrom, Berlin. Performances from both nights were shot in High Definition video on 12 cameras.

2003 The Trilogy DVD was released, and the band signed a 3 album global deal with the Geffen label.

2004 Join the Dots, a 4cd Box Set was released, including B sides and rare singles. “The Cure” album was released.

2005 Perry Bamonte and Roger O’Donnell left – I wonder if the band room ever had a revolving door, did the local newsagent have a permanent scrap of paper thumb-tacked to their notice board advertising for “band members to join working band – no time-wasters.”., Porl Thompson returned – surprise surprise !! . The band headlined at Live 8, Paris.

2006 The band closed the Teenage Cancer Trust Show at the Royal Albert Hall, and started work on their 13th studio album. Robert Smith worked on live DVD projects with re-releases of The Top, The Head on the Door, and Kiss Me Kiss Me Kiss Me.

So what do I tell my American Friend ? The styles are so different, the members line-ups changed more frequently than some people change underwear, there’s all those studio albums, the live albums, the bootlegs, the DVDs – hell. I just told her to make up her own mind.

Anyway I may need to edit this from time to time, because I reckon it’s incomplete as it is now.

A First Time For Everything

Not really worth the ticket price

Movie Reviews aren’t really my thing, they’re rarely useful and are often most unhelpful in deciding how to spend the now-exorbitant amount of dosh the theatres are charging for a ticket. I suspect that they are about to price themselves out of relevancy, but that’s another story. But this postis going to be both an exception (I’m doing a review) and not an exception (it will be neither useful nor helpful).
There are bad films, really atrocious examples of the cinematic crafts, they’re poorly written, ill-directed, hammish, cheap and nasty. My most recent viewing had a good premise, the direction was acceptable, the actors seemed to be putting a bit of effort into their work and the sets didn’t shake or look like they were made from re-cycled pieces of roadside garbage, it was just – bleh !

Many films have a stupid theme when examined in the cold hard light of day, reason dictates that things like the love story in the film Titanic doesn’t really make sense, that anything with the words “Doctor Who” in the title will defy any test of logic. What is important for viewer satisfaction is that the impossibilities can be overcome and that dis-belief is suspended for the duration of the film/TV show/play.

“The Invention Of Lying” didn’t do it for me, it started out incredibly (and I continue to use this as ‘not credible’ even though it’s a more common term for something really good) continued on with an obvious inconsistency and ended with everyone living happily ever after. Jesus Wept !; – is there any US film being made where there isn’t a happy ending with truth, justice and the American Way Of Life prevailing, then the credits start scrolling down the screen and you get to leave the cinema ?

{- One exeption that immediately springs to mind is “The Visitor” which you probably have never heard of, it never made it to a cinema near you nor any film reviewer who works for a commercial media outlet recommended it to you. It didn’t have a happy ending and yet it was one of the better films I have seen. By the way, the site linked to(At The Movies – ABC Australia)  is one of the better review sites in Australia – but you can’t always trust critics.}

But back to The Invention Of Lying, here’s the gist, imagine if you will some other world, quite similar to this one, except it looks remarkably like the USA, where everyone speaks the truth all the time, there is no fiction, there are no religions, all films are documentaries with a single person reading from the script, acting seems to be a form of fiction, there is no deceit or dishonesty. The main protagonist, played by Ricky Gervais, is a screen writer who at his Mother’s deathbed suffers a brain explosion and comforts her in her last moments by telling her that an afterlife exists and there is indeed a heaven a hitherto unknown concept, this small subterfuge is immediately accepted by the hospital staff in the room as ruth because lying is impossible in this world and he goes on to become rich, successful and establishes religion for the masses based an a few hastily scribbled inconsistent ideas glued to the back of a pair of takeaway pizza boxes. He gets the girl and has a small fat child – The End

I approached this film with an open mind, hoping that it would be sort of pro-Agnosticism, or pro-Atheist, which would be slightly refreshing when culture is being controlled by the fear of Christian fundamentalism in Western societies. But I didn’t feel that. I hoped it it might be funny, truth is harsh and often unnecessary in day to day life – you don’t get too many second servings of pudding by describing the main course as ‘adequate’ do you ? but again I didn’t get that, Gervais was OK, Jennifer Garner (the gal he was chasin’) isn’t going to get any awards for best supporting actress in a romantic comedy, Rob Lowe played himself so on scale of zero to ten I give this a 2+, it killed a bit of time but I spent too much of the film asking myself “why am I sitting here?” and then looking at my watch hoping it would end soon so I could catch the early bus home.

That is until I got the credits, Hoorah !

It’s a pretty sad movie when the closing credits are the most interesting part of it, supporting Gervais and Garner in this boring stinker were

Jeffrey Tambour – he was the Father and the hippy Uncle in ‘Arrested Development’ (Gerorge and Oscar Bluth)

Tina Fey – of ’30 Rock’ fame, who also does a mean imitation Sarah Palin, she also writes gags for Saturday Night Live

Nathan Corddry – was in the cast of “Studio 60 On The Sunset Strip” he did a guest spot on 30 Rock as a gay cop room-mate of Tina Fey and had a recurring role in The United States Of Tara

Jason Bateman – you’ll know this dude from Teen Wolf Too, or if you have a long memory Little House On The Prairie, but Silver Spoons was his first big gig and that wasn’t widely viewed here in Australia but he was also the star of Arrested Development – Michael Bluth, you’ll probably know his twin Sister – Justine Bateman she’s had her face on the telly a lot of times as well, crap like Family Ties. He’s also Paul Anka’s son-in-law

Christopher Guest – from Spinal Tap (“these go to eleven !”), his brother Nicholas is a bit well-known he’s got 139 entries in the IMDB and he’s married to Jamie Lee Curtis

So if the best thing you can say about the film is “the credits at the end were good” then it’s probably better for you to save the $20 it’s going to cost you to see the film and spend it on something that will have a more enduring entertainment effect, like strong liquor or illicit drugs.

I got the movie poster from this guy http://skepacabra.wordpress.com/2009/09/ have a read of his stuff, at least his blog has a consistent theme.

And for Arrested Development fans there’s a movie version currently in post-production – Hoorah !

It’s Probably Not Illegal, But …

Consider the cash made available to develop and foster new, up-coming artists by western democratic Governments. Economists have a technical term for the absolute amounts that actually make it into the pockets of these sculptors/painters/poets/etc (it’s actually an acronym) – SFA. Relative to the amount of money spent on self-promotion, ‘the Big Arts’ (Ballet and Opera), Public Servant wages and of course Health, Defence, Transport – it’s bugger-all.

There is an argument that it’s more efficient to fund Arts Hubs who then distribute the funds into the community on an ad-hoc basis. This assumes that these NGOs are efficient in themselves.

Sadly this may not be the case. Managed by well-meaning volunteers, established artists, community representatives, business representatives management committees are as much an intricate web of competing interests as any political party and often the interests of the actual artists and the general arts community can be well down the list of current priorities for a committee. These committees aren’t permanent even during the best of times when there’s lots of spare money floating around. Elections are held, new members elected, older members die of (both literally and figuratively) people lose interest or haven’t the time any more so whatever links these Hubs have with the arts community of an area are constantly being established, broken re-established, new links formed and old links lost.

What does remain constant is the source of funding – the taxpayer

So far there isn’t any real problem, arts funding, by the very nature of the parties involved is always going to be a mess. Muses don’t work Monday to Friday 9 – 5, the artists can be wilfully difficult and the so-called product can be shite to everybody except the person who has created it. Many taxpayers will have a look at what they have paid for and feel slightly cheated – so what ? You can’t quantify art and you can’t expect it to return anything that can be entered into a ledger.

What the hubs do do well, is pass on their reputation to the people they are supporting. For this reason patronage of the long-established (and probably better funded) establishments is highly sought after.

Here’s this weeks beef. What if there’s a young exciting artist, someone who has had a few successful solo exhibitions, (whether it’s painting, sculpture or ceramics is irrelevant) and is starting to make their own name around town. Largely because most people who have experienced the work agree that it’s high quality, it’s consistent and it’s good. Having this person involved with a community-based artistic institution would be mutually advantageous for all the parties involved. But how does one deal with  a situation whereby an informal arrangement (that is there’s nothing in writing) is established to bring a few of the works into the building for exhibition and sale – that’s got to be good for the artist, they get to show their stuff off and make a few quid for themselves, and it has to be good for the institution they can prove to the funding body (the Government) that they are using the tax-dollars as they were intended, to foster the arts at grassroots level. The institution can claim they are ‘fostering and nurturing’

But they aren’t professional bureaucrats, you can say what you like about the public service, but they are uniquely able to allocate the scarce resources that are tax-revenues. How then do we view a situation where our previously-described up-and-comer has brought some stuff in and asked to help other artists by sharing techniques and designs ? this still sounds good and probably looks good on paper. Unless the artist who created the original works decides that they have cultural and personal attributes that can’t possibly be passed on to another person who hasn’t any common or shared story. Normally this would be the end of the game, full-time and the fat lady has left the stand. That project should be quite properly shelved or cancelled. But the institution has already told some kids/new artists that they could come in and learn and decide to continue anyhow, they still have the work on show and simply arrange for the new people to copy the ‘style’

Isn’t this an infringement of the original artist’s copyright ? It’s pretty hard for anyone to separate form and content, both are united to create a style. An outright copy is a pretty obvious theft adopting someone else’s style is more subtle.

While record companies will seek and obtain millions of units of currency when they detect the theft of a few bytes of one of their songs (just because they had almost no role in the creation of the original work is deemed irrelevant by these big business entities) What redress does this painter/sculptor/ceramicist have – probably nothing, unless they can hire their own lawyer and pursue their own redress in the courts.  Then it will become, most likely, a political question. If someone along the food-chain thinks that it’s interests will be best served by settling out of any court then it will be, if not then it will become a fight between who has the deepest pockets and the most time up their sleeves. But luckily in a western democracy there are regular elections and usually members of parliaments become accustomed to their positions as do the elected members of NGO management committees. If we can accept that the skill and talent that goes into developing an individuals style, that the many hours of practice and sacrifice an individual makes to establish a style is worth protecting then we may have established the merit of a genuine copyright protection for artists rather than the protection of the profits of major economic entities.

The whole copyright issue has been clouded and obfuscated by the Hollywood studios and the music labels. rarely are individual artists involved – but they should be !

By the way if you think downloading music off the internet is another form of theft, then you have a different opinion to people like Elton John and Paul McCartney. It’s only the record companies and Hollywood studios who will benefit from having you worried about getting your connection severed because of a download or two, there’s no evidence that record sales have declined at the same time as the use of the internet is increasing and I’m pretty sure that the people who actually wrote the scripts/songs don’t get much of a cut of the (now) multi-million dollar fines imposed on illegal downloaders

Further reading, and, and, and, and finally there’s the $22,500 per song